Wednesday, November 14, 2012

Caroline Downer - Individual Analytical Movie Review


Caroline Downer

14 November 2012

ENG 281 – Group Three

Analytical Movie Review

            Group Four’s Film, titled “Oh God…No” was able to mislead the audience.  This group was able to use mise-en-scene and cinematography to develop suspense and intrigue within the viewers.  Since this was a silent film, how the elements of cinematography were used must have been carefully considered and used in order to help tell the story, without words.

            The group’s use of mis-en-scene allowed the viewer to be able to relate to the characters and the familiar situation.  The setting was a very realistic setting as just an apartment in a town; a very average interior.  The opening scene presents very bland, white walls which suggests nothing out of the ordinary and makes it seem as though this apartment will be just like all the others.  The interior has decorations in it like most apartments do that suggest a very warm and inviting environment, not grounds for a murder. The costumes as part of the mise-en-scene in this film also seem like clothes the ordinary person would wear.  The girls are dressed as average college students not hinting to the audience that anything strange will soon happen.  The lighting throughout this film is very prominent and they exploit the use of natural light towards the beginning, representing a bright average day with seemingly nothing to fear.  The cat seems like an innocent animal at the start of the film because it is the first character seen in the first few scenes, so the audience knows where it is and what it is doing at the beginning of each scene, leaving no room for suspicion.  For example when The Cat Sitter is about to water the plants, the cat is just sitting on the coffee table minding its own business when that scene opens, which makes the audience think that the cat is innocent.  However, as the scenes move on, the lighting is not as bright and the cat is not always the first thing seen on the screen, so that the audience does not know what the cat is doing and where it is.  In the use of mise-en-scene, this cat for example, was a key addition to the film because it is different from other films and creates another sense of suspense since humans cannot easily relate to cats and do not know what they’re thinking.  Since the cat is a darker cat, when the scenes begin to get darker, as when The Cat Sitter is sleeping, the cat seems to slowly appear out of the darkness, now creating an ominous feeling and therefore a sense of suspense.  The use of mise-en-scene develops the story as an ordinary day, but then slowly changes to something more foreboding. 

            Some elements of cinematography are used in this film to create suspense and intrigue to cause the audience to be anxious and unaware of what will happen next.  The most prominent example of the shot creating suspense for the viewers is in the scene when The Cat Sitter is sleeping and she wakes up to find the cat sitting very close and staring at her.  It is dark and she is sleeping.  The shot only includes The Cat Sitter in the frame which does not allow the audience to see what is beyond the camera or “behind the camera.”  The camera angle is above her, as if someone is watching her.  The combination of these elements instills a sense of the unknown.  This is used just as the scene in Psycho when Detective Arbogast is walking up the stairs inside the house before he is murdered.  The audience is looking at him, unaware of what’s in front of him/“behind the camera” or offscreen space.  This Psycho scene referred to is evident in this clip: http://www.youtube.com/watch?v=nvPqSRLO5Ms.  In the scene where the door becomes locked after The Cat Sitter is gardening, the camera focuses on the cat with a close-up, allowing the audience to be suspicious of the cat and the locked door.  This creates another element of suspense, in wondering when the cat will strike again.  The very end of the movie uses a long shot on the characters of The Cat Sitter’s “friend” and the cat.  This long shot is able to incorporate the surrounding elements of the scene which are very normal.  This contrast between the normal setting and the suspicious characters creates more of a sense of intrigue in the audience wondering if those characters really did conspire against The Cat Sitter.

            The combination of mise-en-scene and cinematography used in this film allows the audience to at first relate with the realistic scene of an average, happy day, and then to gradually feel anxious and in suspense.  The mise-en-scene worked more to create the familiar setting of a normal apartment at the beginning, while the use of things such as lighting, camera angle, and camera distance began to change and caused the feeling of suspense and intrigue to set in.     

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